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American music masters Sam Bush, Mike Marshall, and Edgar Meyer join with George Meyer for the kind of special collaboration usually heard only at a bluegrass festival. Bush and Marshall are mandolin virtuosos rooted in bluegrass. The Meyers (Edgar on acoustic bass, son George on violin) come from the classical world. Together, they make acoustic music that can only be categorized as “amazing.” You’ll hear works from the 1999 genre-bending album Short Trip Home (which featured Bush, Marshall and the elder Meyer), plus new music written exclusively for this tour.

For six years, Beautiful, the Tony- and Grammy award-winning Carole King musical, thrilled Broadway audiences with the inspiring true story of one woman’s remarkable journey from teenage songwriter to the Rock and Roll Hall of Fame. Now, Beautiful is making its way across the country! From the string of pop classics King wrote for the biggest acts in music, to the life-changing, chart-busting success of her landmark 1971 album Tapestry, Beautiful takes you back to where it all began—and takes you on the ride of a lifetime. Featuring more than two dozen pop classics, including “You’ve Got a Friend,” “One Fine Day,” “Up on the Roof,” “You’ve Lost That Lovin’ Feeling,” “Will You Love Me Tomorrow” and “Natural Woman,” this crowd-pleasing international phenomenon is filled with the songs you remember—and the story you’ll never forget.

For six years, Beautiful, the Tony- and Grammy award-winning Carole King musical, thrilled Broadway audiences with the inspiring true story of one woman’s remarkable journey from teenage songwriter to the Rock and Roll Hall of Fame. Now, Beautiful is making its way across the country! From the string of pop classics King wrote for the biggest acts in music, to the life-changing, chart-busting success of her landmark 1971 album Tapestry, Beautiful takes you back to where it all began—and takes you on the ride of a lifetime. Featuring more than two dozen pop classics, including “You’ve Got a Friend,” “One Fine Day,” “Up on the Roof,” “You’ve Lost That Lovin’ Feeling,” “Will You Love Me Tomorrow” and “Natural Woman,” this crowd-pleasing international phenomenon is filled with the songs you remember—and the story you’ll never forget.

Formed in 1993 by Martín Santangelo and his Bessie award-winning wife, Soledad Barrio, Noche Flamenca has been hailed by critics everywhere for its transcendent and deeply emotional performances. Noche Flamenca presents the essence, purity and integrity of one of the world’s most complex and mysterious art forms without the use of tricks or gimmicks. Noche Flamenca performs regularly at noted venues in New York City, including Lincoln Center and the Joyce Theater, and tours extensively across North America, Europe, South America, Asia and Australia. The company has been recognized with awards from the National Dance Project, the National Endowment for the Arts and most recently an exceptional artist award for Soledad Barrio from Dance Magazine. In song, music and dance that express a rigorous, spellbinding aesthetic, Noche Flamenca creates a diverse theatrical body of performance that exceeds the highest artistic expectations. Through its live performances, the company captivates audiences and evokes in them the vivid sea of passion and intensity that is flamenco.

Camille A. Brown and Dancers is a Bessie Award-winning, New York City-based dance company advancing the artistic vision of Camille A. Brown. Founded in 2006, the company performs locally and across the world, inviting audiences into stories and dialogues about race, culture and identity.

CABD is known for an introspective approach to cultural themes through visceral movement and sociopolitical dialogues. Camille A. Brown leads her dancers through excavations of ancestral stories, encouraging each dancer to embrace their unique embodiment of the artistic vision and gestural vocabulary.

The work uses theatricality and the aesthetics of modern, hip-hop, African, ballet and tap to tell stories that connect history with contemporary culture. Strongly character-based, it expresses each topic by building from little moments, modeling a filmic sensibility. Theater, poetry, visual art and music of all genres merge to inject each performance with energy and urgency.

The company has performed at national and international venues, including the Joyce Theater, the Kennedy Center, Lincoln Center Out of Doors, the Yard, American Dance Festival, Bates Dance Festival, New York City Center’s Fall for Dance Festival, Celebrate Brooklyn!, Flynn Center for the Performing Arts, John Michael Kohler Arts Center, Clarice Smith Performing Arts Center, World Music/CRASHarts, the Kumble Theater, Atlas Performing Arts Center, the Kravis Center, White Bird, and the Belfast Festival at Queen’s in Belfast, Ireland. In 2014, CABD received the Bessie Award for Outstanding Production for Mr. TOL E. RAncE.

Saxophonist Branford Marsalis is one of the most influential and revered figures in contemporary music. The National Endowment for the Arts Jazz Master, Grammy Award winner and Tony Award nominee is equally at home performing concertos with symphony orchestras and sitting in with members of the Grateful Dead. After more than three decades of existence with minimal personnel changes, this celebrated ensemble is renowned for its uncompromising interpretation of a kaleidoscopic range of both original compositions and jazz and popular classics.

Yamato was founded by Masa Ogawa in 1993 in Nara—the land of Yamato, which is said to be the birthplace of Japanese culture. Presently based in Asuka Village, Nara Prefecture, Yamato travels all over the world with Japan’s traditional Wadaiko drums, putting its very souls into the unusual instruments, whose sound stirs the hearts of people everywhere. In the village of Asuka, a place with more than a thousand years of history and culture, Yamato seeks new expression with Wadaiko as its backbone. They think of the sound of the drums—made of animal skin and ancient trees, some of which are more than 400 years old—as a pulse or heartbeat (Shin-on), the center of life and the source of power that pulsates within the human body. Like the strong and sturdy heartbeats of a lonely runner with a sleek and powerful body, Yamato attempts to create the energy of life, which envelops the audience and performers. What one feels when surrounded by the sound of Wadaiko, brought out by these highly trained performers, is what the Japanese call “Tamashy,” meaning soul, spirit and psyche—the basic elements of life. It is something invisible and intangible but whose existence is certainly felt. The pulse, carried down from antiquity, will resonate within all the bodies gathered at any given performance.

Anaïs Mitchell, the esteemed singer-songwriter whose Broadway smash Hadestown won eight awards, including Best Musical, at the 2019 Tony Awards, is joined on this one-of-a-kind tour by Bonny Light Horseman, a folk supergroup trio comprised of Mitchell, Eric D. Johnson (best known for his project Fruit Bats and stints with The Shins) and Josh Kaufman (instrumentalist and producer known for his work with Hiss Golden Messenger, Bob Weir and The National). Bonny Light Horseman will perform selections from their two-time Grammy nominated album of traditional folk songs with a contemporary twist, before Mitchell takes the stage to share songs from her forthcoming album as well as her back catalogue of audience-favorites on this unique, collaborative tour.

Les Violons du Roy takes its name from the celebrated court orchestra of the French kings. Founded in 1984 by Bernard Labadie, the group continues under music director Jonathan Cohen to explore the nearly boundless repertoire of music for chamber orchestra in performances matched as closely as possible to the period of each work’s composition. Based in Québec City’s Palais Montcalm since 2007, Les Violons du Roy builds on its worldwide reputation through countless concerts and recordings. The group has performed dozens of times throughout North and South America, Europe and Asia, and collaborated with such world-renowned soloists as Isabelle Faust, Julia Lezhneva and Marc-André Hamelin. As of this year, the group has released 36 recordings that have received widespread critical acclaim.

Classical piano prodigy Alfredo Rodríguez and street percussionist Pedrito Martinez, two of Cuba’s most exciting and innovative artists, have joined forces to form the Cuban jazz supergroup, the Alfredo Rodríguez and Pedrito Martinez Duo. Both hailing from Havana, Rodríguez was born into a musical family, his father a popular singer and TV host. A child prodigy, he studied classical piano at the prestigious Conservatorio Amadeo Roldán and Instituto Superior de Arte while playing popular music in his father’s orchestra by night. While performing at the Montreux Jazz Festival in 2006 he was discovered by his future mentor and producer, the legendary Quincy Jones. Martinez honed his craft on the streets of Havana, learning the deeply rooted percussion and vocal style of Afro-Cuban folkloric and religious music. A master percussionist and vocalist, he arrived in the U.S. in 1998, and was soon awarded First Place at the Thelonious Monk Institute of Jazz International Afro-Latin Hand Drum Competition. Their first collaborative album, Duologue, released in February 2019 and produced by Quincy Jones, finds the pair exploring a range of moods and influences, from Cuban classics to collaborative original compositions to a number of unexpected favorites, like a version of Michael Jackson’s “Thriller” and their joyous take on the theme from the classic video game “Super Mario Bros. 3.” More traditional is their bristling rendition of the Cuban classic, “El Punto Cubano.”

Philadelphia’s powerhouse company BalletX, led by artistic and executive director Christine Cox, presents The Little Prince—a full-length ballet by choreographer Annabelle Lopez Ochoa, recipient of the prestigious Jacob’s Pillow Dance Award (2019). Inspired by Antoine de Saint-Exupéry’s timeless novella of adventure and enlightenment, Lopez Ochoa’s The Little Prince is a ballet for the whole family, sure to delight the imagination of children and adults alike. BalletX produces original choreography that expands the vocabulary of classical dance for all audiences. Philadelphia’s premier contemporary ballet company, BalletX unites distinguished choreographers with an outstanding company of world-class dancers to forge new works of athleticism, emotion, and grace. Founded in 2005 by Cox and Matthew Neenan, BalletX challenges the boundaries of classical ballet by encouraging formal experimentation while preserving rigorous technique. The company is committed to producing new works of the highest quality and integrity that bring the combined visions of choreographers and dancers to life and cultivate in audiences a collective appetite for bold, new dance. The set for The Little Prince was designed by Matt Saunders.

A phenomenally successful instrumentalist whose recordings routinely made the pop, R&B and jazz charts during the 1980s and ’90s, Kenny G‘s sound became a staple on adult contemporary and smooth jazz radio stations. He’s a fine player with an attractive sound (influenced a bit by Grover Washington, Jr.) who often caresses melodies, putting a lot of emotion into his solos. Because he does not improvise much (sticking mostly to predictable melody statements), his music largely falls outside of jazz. However, because he is listed at the top of “contemporary jazz” charts and is identified with jazz in the minds of the mass public, he is classified as jazz.

Kenny Gorelick started playing professionally with Barry White’s Love Unlimited Orchestra in 1976. He recorded with Cold, Bold & Together (a Seattle-based funk group) and freelanced locally. After graduating from the University of Washington, Kenny G worked with Jeff Lorber Fusion, making two albums with the group. Soon he was signed to Arista, recording his debut as a leader in 1982. His fourth album, Duotones (which included the very popular “Songbird”), made him into a star. Soon he was in demand for guest appearances on recordings of such famous singers as Aretha Franklin, Whitney Houston and Natalie Cole. Kenny G’s own records have sold remarkably well, particularly Breathless, which has easily topped eight million copies in the U.S.; his total album sales top 30 million copies. The holiday album Miracles, released in 1994, and 1996’s Moment continued the momentum of his massive commercial success. He also recorded his own version of the Celine Dion/Titanic smash “My Heart Will Go On” in 1998, but the following year he released Classics in the Key of G, a collection of jazz standards like “‘Round Midnight” and “Body and Soul,” possibly to reclaim some jazz credibility.

Faith: A Holiday Album was released that same year, followed by a limited-edition re-release of the 1997 Greatest Hits disc. In 2002, Kenny G dipped into tropical territory with Paradise, which featured guest appearances by Brian McKnight and Chanté Moore. This was followed by a music video collection, another holiday album, entitled Wishes, and, in 2003, a second greatest-hits collection, Ultimate Kenny G. Perhaps in a bid to shake up his discography a bit, in 2004 Kenny G released At Last…The Duets Album, which featured duets with LeAnn Rimes and Chaka Khan. Two years later, smooth jazz’s king of the soprano sax returned to a purely instrumental approach on the brassy, big-band-inspired albums Holiday Collection and I’m in the Mood for Love; 2006 was also the year the artist was dubbed the best golfer in music by Golf Digest, beating out Vince Gill for the number one spot. In 2008, Kenny G released the Latin-inspired Rhythm and Romance. The sax player next drifted toward R&B for 2010’s Heart and Soul, which featured guest vocals from Robin Thicke and Babyface. A collection with Rahul Sharma called Namaste followed in 2012, and in 2015 Kenny G released a tribute to bossa nova titled Brazilian Nights.

Blue-eyed soul pioneers The Righteous Brothers are back! With a string of number-one classic hits, including the most played song in radio history, “You’ve Lost That Lovin’ Feelin’,” the Rock and Roll Hall of Fame duo topped the charts for four decades. For this tour, Bill Medley teams with Alabama native and Auburn University alum Bucky Heard. A gutsy rock and roll singer with incredible vocal range, Heard has shared the stage with legends like Andy Williams and Glen Campbell, and is the perfect fit for The Righteous Brothers’ live performances. This concert experience features the group’s biggest hits—”Lovin’ Feelin’,” “Soul & Inspiration,” “Unchained Melody,” “Rock and Roll Heaven,” and Medley’s Grammy Award-winning “The Time of My Life” from Dirty Dancing, and much, much more!

Lauren Patten is the breakout star of the new Alanis Morissette musical Jagged Little Pill for which she won the Tony Award for Best Featured Actress in a Musical. Patten also received a Grammy, Drama Desk and Outer Critics Circle award for her work in Jagged Little Pill. In particular, it was Patten’s rendition of “You Outta Know” that brought audiences to their feet every single night and caught the attention of critics. Other stage credits include Fun Home on Broadway, the off-Broadway smash The Wolves, and the original Los Angeles company of Deaf West’s revival of Spring Awakening. On television, Lauren has a recurring role on Blue Bloods (CBS), and has guest starred on Succession (HBO) and The Good Fight (Paramount+). She also played a supporting role in Michael Showalter’s film The Big Sick.

Since 2005, Acrobuffos, the husband and wife team of Seth Bloom and Christina Gelsone, have been redefining traditional circus performance to the delight of all ages. Having performed collectively in 48 different countries, with seven inventive shows to their credit, the expert clown duo elevates the art of comedic, physical theater to mesmerizing, lighter-than-air spectacle.

Acrobuffos’s latest production, Air Play, is a circus-style adventure of two siblings journeying through a surreal world, with the ability to turn common, everyday objects into displays of uncommon beauty. Fabrics dance in the wind, balloons have a mind of their own, confetti turns into the night sky and an enormous canopy of hovering silk forever alters their future. “You feel you’re witnessing divine natural occurrences rather than carefully devised circus stunts,” raves the Hartford Courant.

Air Play merges circus and street-theater performance art with the sculptural artistry of Daniel Wurtzel, whose creations have been seen on Broadway and with Cirque du Soleil, Robert Lepage and Diane Paulus. With visual images seemingly sewn from the sky, this poetic ode to childhood will enchant and electrify the young and young at heart.

More than 75 years after Rodgers and Hammerstein reinvented the American musical, this is OKLAHOMA! as you’ve never seen or heard it before—reimagined for the 21st century. Directed by Daniel Fish, the production has been hailed as the “Best of the Year” and a Critic’s Pick by The New York Times and the “#1 Theatrical Event of the Year” by TIME. Praised by The New York Times “as stimulating and jolting—and as fresh—as last night’s fever dream,” OKLAHOMA! features music by Richard Rodgers and a book and lyrics by Oscar Hammerstein II, based on the play Green Grow the Lilacs by Lynn Riggs, with original dances by Agnes de Mille.

Inspired by the beloved films, the romantic and adventure-filled new musical Anastasia is on a journey to Auburn at last! From the Tony Award-winning creators of the Broadway classic Ragtime, this dazzling show transports us from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love and family. Anastasia features a book by celebrated playwright Terrence McNally, a lush new score by Stephen Flaherty (music) and Lynn Ahrens (lyrics), and direction by Tony Award-winner Darko Tresnjak.

More songwriters and more venues! The multi-day songwriter’s festival features over 20 artists at multiple venues ranging from intimate listening rooms to spacious outdoor stages all around Alabama’s Treasured Lake, Lake Martin. Apply to be a part of this second annual event that includes established touring artists as well as those that are up and coming. Music from all genres is welcome!